Untitled
 2019
 20 x 30 cm
 Curated by Thais Iroko
 Resource division
 70% NGO
 30% Bedpan
 In accordance with article 38, caput of federal law 9610/1998, as well as article 14 of the Berne Convention, promulgated in Brazil through decree 75699/1975, the owner of this artistic work, when commercializing it, must transfer it to the artist or his successors, as a resale right, the amount corresponding to 50% (fifty) of the profit that may be earned with this new commercial transaction (resale) within a period of 30 days. If the author does not receive his resale right within the stipulated period, the seller is considered depositary of the amount owed to him, unless the transaction is carried out by an auctioneer, when this will be the depositary (as determined in the sole paragraph of article 38 of the federal law 9610/1998).
 Ana Cláudia Almeida (b. 1993, Rio de Janeiro, Brazil) is an artist interested in exploring materialities through movement and gestures. His work incorporates paper, plastic, oil pastels and paints, encompassing various mediums such as painting, video and sculpture. Almeida's explorations seek to resist and disrupt the dominant role that functionality plays in the way objects are understood, involving the dynamic tension between interior and exterior, individual and environment. This position is articulated through the conceptual examination of the relationship between nature and spaces constructed by humanity, such as urban landscapes and social systems of religion, gender and sexuality. Almeida is studying for a master's degree in visual arts with an emphasis on painting at Yale (New Haven, USA), and graduated with a sandwich degree in Industrial Design from the State University of Rio de Janeiro and Virginia Commonwealth University. He has participated in solo exhibitions in galleries in Rio de Janeiro and São Paulo and in collective exhibitions in institutions such as the Rio Art Museum and Instituto Inhotim, where he also has work in the collection.