Fishermen's Colony Z-13, Copacabana
 1989
 20 x 30 cm
 Curated by Isabel Portella
 Resource division
 70% NGO
 30% Bedpan
 In accordance with article 38, caput of federal law 9610/1998, as well as article 14 of the Berne Convention, promulgated in Brazil through decree 75699/1975, the owner of this artistic work, when commercializing it, must transfer it to the artist or his successors, as a resale right, the amount corresponding to 50% (fifty) of the profit that may be earned with this new commercial transaction (resale) within a period of 30 days. If the author does not receive his resale right within the stipulated period, the seller is considered depositary of the amount owed to him, unless the transaction is carried out by an auctioneer, when this will be the depositary (as determined in the sole paragraph of article 38 of the federal law 9610/1998).
 André Arruda , graduated in Audiovisual Communication from Faculdade da Cidade, 1991. In 1990 he was awarded the photo "Fé e Fast food" at the 2nd UFRJ Photography Salon.
 He worked as a photo reporter at Jornal do Brasil (1992-1998) and at the newspaper O Globo (1998-2000).

 Independent photographer since 2000, he has been published in various vehicles and media and also serves the advertising market, as well as publishing in catalogs and art collection books. In March 2000, he was selected for the global Millennium Photo book project, "How the World Celebrated the Millennium". Collective exhibition Rio de Janeiro: portraits of the city 1840/1992, at CCBB/RJ (1992). The series Retratos da Velha Guarda by Unidos da Tijuca is shown at the collective "Suor, Folia e Fotografia na Avenida". Museum of Image and Sound/SP (2007). Exhibits the first part of the essay FORTIA FEMINA, portraits of Brazilian female fitness and bodybuilding athletes, at FotoRio, at the Centro Cultural Justiça Federal/RJ (2009). He is co-author of the books Blocos de Rua do Carnaval do Rio de Janeiro vol. I (ed. Réptil, 2011) and vol. II (ed. Réptil, 2013) about the street carnival in Rio de Janeiro. He publishes his first individual book, 100 Things that One Hundred People Don't Live Without, portraits of one hundred Brazilians and their favorite, unforgettable, priceless "things"; portraits and still life (2016). With the portrait of a mother and her baby, about the maternity ward affected by microcephaly caused by the Zika virus epidemic, published on the cover of Época magazine, was awarded by ANER (National Association of Magazine Editors) as the best cover of the Brazilian magazine in 2016.
 The series CLÓVIS (2017), Retratos dos Bate-Bolas do Carnaval do Rio de Janeiro, is awarded as a revelation essay at the Brasil Porto Seguro Photography Prize, with an exhibition at Espaço Cultural Porto Seguro, in São Paulo, 2020. The series Pequenas Quarentenas , a photo essay about urban confinement during the Covid-19 pandemic, is included in the Art as Breathing Notice, by Itaú Cultural (2021). Editor and producer of the online cultural dissemination project CONVERGENTE, about photography and history, together with professor and doctor in communication Ricardo de Hollanda. Curator and editor of the Em Primeira Pessoa project, documentary photography about the Covid-19 pandemic in Sergipe, authored by doctor and photographer José Augusto Barreto Filho. Signs the curatorship of the exhibition of photographs from the essay at the Museu da Gente Sergipana in Aracaju, SE, in October. He directed the music video for the song Maresia, by singer and composer Mug Guimarães, from the album ''Entre o Rio e o mar'' (2022). Signs the Escolhas advertising campaign, by the women's underwear company DULOREN, with the theme of the FORTIA FEMINA shoot. Develops the LiBRdade project, portraits and video testimonials with 55 people on the theme FREEDOM, before the general elections on October 2, 2023. ''O Rio do Futuro'' award from the Firjan Sesi 2023 notice, with an exhibition at Casa Firjan, in Rio de Janeiro. Finalist for the CIWEM Award - Environmental Photographer of the Year 2023. Participates in the collective ''And the Clown, who is he!?'', at Paço da Artes, São Paulo. Curated by Renato de Cara (2024).